
- The population of the gelflings is segregated into a cheesy 'X number of cities, each with it's own bluntly simplistic character' system, like a video game or a 2000s YA novel. Another hack device.
- One of the last scenes I watched was a fly-through shot of some kind of library or scriptorium. A great deal of screen time was lavished on this space that felt like the set decorators got started on it, but didn't have time to finish. Comparing it with similar classic Henson spaces, it feels positively empty. There was also no point to the very long fly-through, except showing off the created space. This felt very unlike classic Henson and the Dark Crystal, where the awesome environments were there in support of what was going on, rather than being the point in themselves.
- The very last scene I watched was this same sort of thing again. Scene of characters talking about leaving one location and why they were going to a different location. Extended shot of them leaving, showing off creature movement, but nothing else going on. Same, from another angle. Same, from another angle. Same, from another angle. I get you worked really hard on these things, but that does not mean you give them screen time compared to how much time you spent making them. You give them screen time appropriate to the story and what you're getting across. A fail.
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